原创《英国帽子文化》：本文关于英国帽子文化论文范文,可以做为相关论文参考文献,与写作提纲思路参考。
Britain is a nation of hat wearers, of that there is no doubt. From the Artful Dodger’s battered top hat to Winston Churchill’s homburg, the history of the country can be told through the hats that have graced the heads of some of our most famous luminaries.1 Traditionally hats are a very loaded item and have almost totemic power in their ability to signify class, gender, occupation and a myriad of other stations.2 Even the protocol has symbolic value； from doffing your hat to launching mortar boards in the air,3 hats have long been associated with rituals and practices stretching back into the mists of time. With the Royal Wedding throwing British millinery back into the spotlight the time is to take a tour of Britain’s heritage through its headwear.4
The humble flat cap can be traced back to medieval England and was even the subject of Tudor sumptuary laws.5 In an attempt to spur on the wool trade an Act of Parliament was instituted in 1571 decreeing that all males over six years old （except for the nobility） had to wear a wool cap on Sundays and holidays, with a penalty of a fine if they refused. The non-aristocratic association stuck and the flat cap became an icon of working class culture in the 19th and 20th centuries.
The hat was a trademark of a number of characters, but no one has truly made the bowler their own quite like Charlie Chaplin. The Little Tramp, icon of silent-era comedy, certainly had a penchant for accessories,6 so much so that one of his famous bowlers and a cane was sold last November for$62,500！
Archaeologist and heritage interpreter7 Sally Pointer specialises in reconstructing and creating historical hats. When asked about her favourite she comes down in favour of yet another classic： the deerstalker. It may be crystalised in the popular imagination as the hat of choice of Sherlock Holmes, but it’s interesting to note that there is not a single mention of him donning a deerstalker in any works by Arthur Conan Doyle.8 The deerstalker was a vital aspect of the Victorian gentleman’s hunting ensemble9, worn on country estates but not in the city, and as such it certainly would not have featured in Holmes day to day life around Baker Street. The association came about when illustrator （and contemporary of Doyle） Sidney Paget gave Holmes both a deerstalker and Inverness cape10 for out of town adventures such as “The Boscombe Valley Mystery”. The connection stuck and an icon was born, albeit an inaccurate one. But for Sally Pointer this is all part of its charm： “the willingness on our part to accept a little eccentricity in an overall look fits the way the British approach hats perfectly.”
英国帽子文化论文参考资料：
结论：英国帽子文化为适合不知如何写英国帽子文化方面的相关专业大学硕士和本科毕业论文以及关于英国帽子文化 卫队论文开题报告范文和相关职称论文写作参考文献资料下载。
